Wednesday, 12 February 2014

Else Lasker-Schüler


"Ein alter Tibetteppich"                                    "An old Tibetan rug"

Deine Seele, die die meine liebet,                     Your soul, which loveth mine,
Ist verwirkt mit ihr im Teppichtibet.                  Is woven with it into a rug-Tibet.

Strahl in Strahl, verliebte Farben,                     Strand by strand, enamoured colours,
Sterne, die sich himmellang umwarben.             Stars that courted each other across the 
                                                                       length of  heavens.

Unsere Füße ruhen auf der Kostbarkeit,             Our feet rest on the treasure
Maschentausendabertausendweit.                      Stitches-thousands-and-thousands-across.

Süßer Lamasohn auf Moschuspflanzenthron,       Sweet lama-son on your musk-plant-throne
Wie lange küßt dein Mund den meinen wohl       How long has your mouth been kissing mine,
Und Wang die Wange buntgeknüpfte                 And cheek to cheek colourfully woven times?
Zeiten schon?                                                             

Monday, 13 January 2014

"La vie est un sommeil. L’amour en est le rêve." Life is sleep. Love is the dream.

Thursday, 14 November 2013

Lily Allen: Bringing feminism to the Top 40

The lyrics of Robin Thicke's controversial song Blurred Lines mainly focus on the discussion of the apparently thin line between consent and rape. While misogyny is a common theme usually found hiding just beneath the surface of popular music, Thicke's lyrics were a little bit more direct, for example:

"I hate these blurred lines/I know you want it".

Despite the lyrics, the song was extremely popular, which caused understandable outrage among people who found the lyrics offensive and damaging.



With her new song, Hard Out Here, Lily Allen has established her as a feminist icon. In Thicke's music video, he parades around in front of a wall of balloons stating "Robin Thicke has a big dick"-  Allen has copied Thicke's idea, but Lily's balloons say "Lily Allen has a baggy pussy". It is Allen's trademark cheeky humour combined with unapologetic assertiveness which make this video such a success: Lily is speaking honestly in a way which both women and men can understand, while creating catchy, bubbly pop song which will be played on radios, in clubs and on televisions all over the world.

Lily's video works because she puts herself alongside the music industry's projection of women: she wears attractive, flattering clothes and gorgeous makeup and dances next to the girls that we all recognise- girls who appear in so many music videos for songs which are damaging to female empowerment and self esteem. Lily dances with these beautiful, half naked girls and looks great, and therefore tells us that you don't need to behave the same way as the women in these videos do to be sexy and appealing- you can set your own standard.


The message of modern feminism is EQUALITY. Women are allowed to own their sexuality, women are allowed to make money and women are here for themselves. Songs such as Blurred Lines portray women as objects for a man's enjoyment, but Allen takes back the power by placing herself in the center of the problem as a woman in the music industry:

"Forget your balls and grow a pair of tits – it’s hard out here for a bitch"

Allen's accessible pop music brings the debate into popular culture, and by using chart music to deliver the message, Allen makes her point even more powerful. She has gone directly to the source and is creating a catchy message that will get stuck in the head's of the public while poking fun at how women are treated within celebrity culture and society in general. The light-hearted but intelligent lyrics identifying the problem,

“Don’t you want to have somebody who objectifies you? Have you thought about your butt/who’s gonna tear it in two?”

mean that people will think about the situation, and hopefully realise the ridiculous ideas about women and sexuality that are promoted by the music industry and therefore filter into our culture. It needs to be understood that women are in charge of their bodies, and women need to fight for this message! As Lily says, tongue-in-cheek as ever,

"Always trust the injustice, Cause it's not going away"


Tuesday, 29 October 2013

A List of Really Good Books

The Picture of Dorian Gray by Oscar Wilde
Private Peaceful by Michael Morpurgo
Lolita by Vladimir Nabokov
Fight Club by Chuck Palahniuk
Dracula by Bram Stoker
The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson
The Lord of the Rings Trilogy by J.R.R. Tolkien
The Great Gatsby by F. Scott Fitzgerald
Rebecca by Daphne du Maurier
Jane Eyre by Charlotte Bronte
The Time Machine by H. G. Wells
'Salems Lot by Stephen King
Wuthering Heights by Emily Bronte

Friday, 14 June 2013

I wanted to be sure to reach you;
though my ship was on the way it got caught
in some moorings. I am always tying up
and then deciding to depart. In storms and
at sunset, with the metallic coils of the tide
around my fathomless arms, I am unable
to understand the forms of my vanity
or I am hard alee with my Polish rudder
in my hand and the sun sinking. To
you I offer my hull and the tattered cordage
of my will. The terrible channels where
the wind drives me against the brown lips
of the reeds are not all behind me. Yet
I trust the sanity of my vessel; and
if it sinks, it may well be in answer
to the reasoning of the eternal voices,
the waves which have kept me from reaching you.

Wednesday, 17 April 2013


Adam's Song by Blink 182

I never thought I'd die alone
I laughed the loudest who'd have known?
I trace the cord back to the wall
No wonder it was never plugged in at all
I took my time, I hurried up
The choice was mine I didn't think enough
I'm too depressed to go on
You'll be sorry when I'm gone

I never conquered, rarely came
Sixteen just held such better days
Days when I still felt alive
We couldn't wait to get outside
The world was wide, too late to try
The tour was over, we'd survived
I couldn't wait till I got home
To pass the time in my room alone

I never thought I'd die alone
Another six months I'll be unknown
Give all my things to all my friends
You'll never step foot in my room again
You'll close it off, board it up
Remember the time that I spilled the cup
Of apple juice in the hall
Please tell mom this is not her fault

I never conquered, when you came
Sixteen just held such better days
Days when I still felt alive
We couldn't wait to get outside
The world was wide, too late to try
The tour was over, we'd survived
I couldn't wait till I got home
To pass the time in my room alone

I never conquered, when you came
Tomorrow holds such better days
Days when I can still feel alive
When I can't wait to get outside
The world is wide, the time goes by
The tour is over, I've survived
I can't wait till I get home
To pass the time in my room alone

"The story behind that is Mark read a letter someone sent him as an email, that a kid wrote before he committed suicide to his parents. We kind of got together and wrote this sad, slow song. It came out sadder than we ever thought it would, which is good too. Any song that moves you is good. Some people listen to it and go ‘Wow, that’s a real bum-out of a song.’ But it’s one of those things, a story of a kid not being happy in his life, crossed with us being really lonely on tour. At the end of it there’s a better way out, there are better things to do than kill yourself." - Tom Delonge

"Tom and Travis always had girlfriends waiting back home, so they had something to look forward to at the end of the tour. But I didn’t, so it was always like, I was lonely on tour, but then I got home and it didn’t matter because there was nothing there for me anyway." - Mark Hoppus

Sunday, 7 April 2013

"I went with a friend on a walking tour of Germany. It was the kind of thing one did then. Books strapped up in an arrangement of leather belts and slung over the shoulder as one tramped the meadows of Franconia, stopping off at taverns and guesthouses. We arrived in a small Bavarian valley late one morning and found a perfect beer garden, overlooked by a pretty old inn which tumbled with geraniums and lobelias. As we sat sipping our Steins of lager, chairs were being arranged in rows in the garden. It seemed that some sort of concert was in the offing. By and by two ambulances drew up. The driver and stretcher-bearers got out, yawned, lit cigarettes and stood by the open tailgates of their vehicles as if it were the most normal thing in the world. People began to arrive, and soon every chair in the beer garden was taken and the dozens who couldn't get a seat stood at the back or sat cross-legged on the grass in front of the small temporary stage. We simply could not imagine what was going to happen. An enthusiastic crowd, but no musicians and, most strangely of all, those ambulance drivers and stretcher-bearers. At last a pair of huge open-topped Mercedes tourers arrived, crammed like a Keystone Kop car with more uniformed figures than they could comfortably hold. They all lept out, and one of them, a short man in a long leather coat, marched to the stage and began to speak. Not speaking German at all well, I could not understand much of what he said, but I could make out the repeated phrase "Fünf Minuten bis Mitternacht! Fünf Minuten bis Mitternacht! Five minutes to midnight! Five minutes to midnight!" It was all most strange. Before long, women in the crowd would swoon and faint, and the stretcher-bearers would start forward to collect them. What kind of speaker was it who could be so guaranteed to cause people to faint with his words that ambulances came along beforehand? When the man had finished speaking he strode up the aisle, and his elbow barged against my shoulder as I leant out to see him go, and he backed into me, turned away as he was to take the ovation of the crowd. He immediately grabbed my shoulder to stop me from falling, "Entschuldigen Sie, mein Herr!" he said. "Excuse me, sir!" For some years afterwards, whenever he came on in the cinema newsreels as his fame spread, I would say to the girl next to me, "Hitler once apologised to me and called me sir.""

When the evening was over Alistair Cooke shook my hand goodbye and held it firmly, saying, "This hand you are shaking once shook the hand of Bertrand Russel."
"Wow!" I said, duly impressed.
"No, no," said Cooke. "It goes further than that. Bertrand Russel knew Robert Browning. Bertrand Russel's aunt danced with Napoleon. That's how close we all are to history. Just a few handshakes away. Never forget that."

Courtney Love lying backstage watching a Nirvana concert.

Monday, 25 March 2013

Gerard Way on My Chemical Romance disbanding.

A Vigil, On Birds and Glass.

I woke up this morning still dreaming, or not fully aware of myself just yet. The sun poked through the windows, touching my face, and then a deep sadness overcame me, immediately, bringing me to life and realization- My Chemical Romance had ended.
I walked downstairs to do the only thing I could think of to regain composure-
I made coffee.
As the drip began, in that kind of silence that only happens in the morning, and being the only one awake, I stepped outside my home, leaving the door open behind me. I looked around and began to breathe. Things looked to be about the same- a beautiful day.
As I turned to step back into the house I heard sound from within, a chirp and a rustle. And I noticed a small brown bird had flown into the library. Naturally, I panicked. I knew I had to see the bird to safety and I knew I had to retain the order of things in our home, and he very well couldn’t take up residency with us. I chased him (still assuming he was a he) into my office, where I have these very large windows.
Just then, and luckily, I heard Lindsey’s footsteps coming down the stairs, and naturally being composed as she is, she grabbed a blanket and stepped into the office. He was impossible to catch, and I began to open the windows, via Lindsey’s direction, only to find out they were screened. The bird began to fly into the glass, over and over and in all different directions.
Smack.
Smack.
Smack!
I heard another set of footsteps, Bandit’s, running down the stairs in anticipation of the new day. Her entrance into the situation caused just the right amount of chaos (she was very excited to meet the bird) and we found ourselves chasing the bird into the living room. Knowing that this where it could potentially get sticky, being the high ceilings and the beams to perch on, I opened the front door as Lindsey did her best to encourage our new friend out the door. After some coaxing, flying, chirping, a wrong turn back into the library and a short goodbye to Bandit, he simply hopped out the front door- taking off on the fifth leap.
We cheered.
I was no longer sad.
I didn’t realize it, but I stopped being sad the minute that bird had come into my life, because there was something that needed doing, a small vessel to aid and an order to keep. I closed the door. I decided to write the letter I always knew I would.

It is often my nature to be abstract, hidden in plain sight, or nowhere at all. I have always felt that the art I have made (alone or with friends) contains all of my intent when executed properly, and thus, no explanation required. It is simply not in my nature to excuse, explain, or justify any action I have taken as a result of thinking it through with a clear head, and in my truth.
I had always felt this situation involving the end of this band would be different, in the eventuality it happened. I would be cryptic in its existence, and open upon its death.

The clearest actions come from truth, not obligation. And the truth of the matter is that I love every one of you.
So, if this finds you well, and sheds some light on anything, or my personal account and feelings on the matter, then it is out of this love, mutual and shared, not duty.
Love.
This was always my intent.

My Chemical Romance: 2001-2013

We were spectacular.
Every show I knew this, every show I felt it with or without external confirmation.
There were some clunkers, sometimes our secondhand gear broke, sometimes I had no voice- we were still great. It is this belief that made us who we were, but also many other things, all of them vital-
And all of the things that made us great were the very things that were going to end us-

Fiction. Friction. Creation. Destruction. Opposition. Aggression. Ambition. Heart. Hate. Courage. Spite. Beauty. Desperation. LOVE. Fear. Glamour. Weakness. Hope.

Fatalism.

That last one is very important. My Chemical Romance had, built within its core, a fail-safe. A doomsday device, should certain events occur or cease occurring, would detonate. I shared knowledge of this “flaw” within weeks of its inception.
Personally, I embraced it because, again, it made us perfect. A perfect machine, beautiful, yet self aware of it’s system. Under directive to terminate before it becomes compromised. To protect the idea- at all costs. This probably sounds like something ripped from the pages of a four-color comic book, and that’s the point.
No compromise. No surrender. No fucking shit.

To me that’s rock and roll. And I believe in rock and roll.

I wasn’t shy about who I said this to, not the press, or a fan, or a relative. It’s in the lyrics, it’s in the banter. I often watched the journalists snicker at mention of it, assuming I was being sensational or melodramatic (in their defense I was most likely dressed as an apocalyptic marching-band leader with a tear-away hospital gown and a face covered in expressionist paint, so fair enough).
I’m still not sure if the mechanism worked correctly, because it wasn’t a bang but a much slower process. But still the same result, and still for the same reason-

When it’s time, we stop.

It is important to understand that for us, the opinion on whether or not it is in fact time does not transmit from the audience. Again, this is to protect the idea for the benefit of the audience. Many a band have waited for external confirmation that it is time to hang it up, via ticket sales, chart positioning, boos and bottles of urine- input that holds no sway for us, and often too late when it comes anyway.

You should know it in your being, if you listen to the truth inside you. And voice inside became louder than the music.

Now-
There are many reasons My Chemical Romance ended. The triggerman is unimportant, as was always the messengers- but the message, again as always, is the important thing. But to reiterate, this is my account, my reasons and my feelings. And I can assure you there was no divorce, argument, failure, accident, villain, or knife in the back that caused this, again this was no one’s fault, and it had been quietly in the works, whether we knew it or not, long before any sensationalism, scandal, or rumor.

There wasn’t even a blaze of glory in a hail of bullets…

I am backstage in Asbury Park, New Jersey. It is Saturday, May 19th, 2012 and I am pacing behind a massive black curtain that leads to the stage. I feel the breeze from the ocean find its way around me and I look down at my arms, which are covered in fresh gauze due to a losing battle with a heat rash, which had been a mysterious problem in recent months. I am normally not nervous before a show but I am certainly filled with angry butterflies most of the time. This is different- a strange anxiety jetting through me that I can only imagine is the sixth sense one feels before their last moments alive. My pupils have zeroed-out and I have ceased blinking. My body temperature is icy.
We get the cue to hit the stage.

The show is… good. Not great, not bad, just good. The first thing I notice take me by surprise is not the enormous amount of people in front of us but off to my left- the shore and the vastness of the ocean. Much more blue than I remembered as a boy. The sky is just as vibrant. I perform, semi-automatically, and something is wrong.
I am acting. I never act on stage, even when it appears that I am, even when I’m hamming it up or delivering a soliloquy. Suddenly, I have become highly self-aware, almost as if waking from a dream. I began to move faster, more frantic, reckless- trying to shake it off- but all it began to create was silence. The amps, the cheers, all began to fade.

All that what left was the voice inside, and I could hear it clearly. It didn’t have to yell- it whispered, and said to me briefly, plainly, and kindly- what it had to say.

What it said is between me and the voice.

I ignored it, and the following months were full of suffering for me- I hollowed out, stopped listening to music, never picked up a pencil, started slipping into old habits. All of the vibrancy I used to see became de-saturated. Lost. I used to see art or magic in everything, especially the mundane- the ability was buried under wreckage.

Slowly, once I had done enough damage to myself, I began to climb out of the hole. Clean. When I made it out, the only thing left inside was the voice, and for the second time in my life, I no longer ignored it- because it was my own.

There are many roles for all of us to play in this ending. We can be well-wishers, ill-wishers, sympathizers, vilifiers, comedians, rain clouds, victims-

That last one, again, is important. I have never thought myself a victim, nor my comrades, nor the fans- especially not the fans. For us to adopt that role right now would legitimize everything the tabloids have tried to name us. More importantly, it completely misses the point of the band. And then what have we learned?

With honor, integrity, closure, and on no one’s terms but our own- the door closes.

And another opens-

This morning I awoke early. I quickly brushed my teeth, threw on some baggy jeans, and hopped in my car. I gently sped down the 405 through the morning fog to a random parking lot in Palo Verde, where I was to meet a nice gentleman named Norm. He was older, and a self-proclaimed “hippie” but he also had the energy of Sixteen year old in a garage-rock band. The purpose of the meeting was the delivery of an amplifier into my possession. I had recently purchased the amp from him and we both agreed that shipping would jostle the tubes- so he was kind enough to meet me in the middle.
A Fender Princeton Amp from 1965, non reverb. A beautiful little device.

He showed me the finer points, the speaker, the non-grounded plug, the original label and the chalk mark of the man or woman who built it-

“This amp talks.” he said.
I smiled.
We got coffee, talked about gold-foil pickups and life. We sat in the car and played each other music we had made. We parted ways, promising to stay in touch, I drove home.

When I wanted to start My Chemical Romance, I began by sitting in my parent’s basement, picking up an instrument I had long abandoned for the brush- a guitar. It was a 90’s Fender Mexican Stratocaster, Lake Placid Blue, but in my youth I had decided it was too clean and pretty so I beat it up, exposing some of the red paint underneath the blue- the color it was meant to be. Adding a piece of duct tape on the pick guard, it felt acceptable. I plugged this into a baby Crate Amp with built in distortion and began the first chords of Skylines and Turnstiles.

I still have that guitar, and it’s sitting next to The Princeton.
He has a voice, and I would like to hear what it has to say.

In closing, I want to thank every single fan. I have learned from you, maybe more than you think you’ve learned from me. My only regret is that I am awful with names and bad with goodbyes. But I never forget a face, or a feeling- and that is what I have left from all of you.
I feel Love.

I feel love for you, for our crew, our team, and for every single human being I have shared the band and stage with-

Ray. Mikey. Frank. Matt. Bob. James. Todd. Cortez. Tucker. Pete. Michael. Jarrod.

Since I am bad with goodbyes. I refuse to let this be one. But I will leave you with one last thing-

My Chemical Romance is done. But it can never die.
It is alive in me, in the guys, and it is alive inside all of you.
I always knew that, and I think you did too.

Because it is not a band-
it is an idea.

Love,
Gerard







Lord Henry, Chapter 6

“I never approve, or disapprove, of anything now. It is an absurd attitude to take towards life. We are not sent into the world to air our moral prejudices. I never take any notice of what common people say, and I never interfere with what charming people do. If a personality fascinates me, whatever mode of expression that personality takes is absolutely delightful to me”.

- The Portrait of Dorian Gray

Sunday, 17 March 2013

Ovid's Narcissus

"For as his own bright Image he survey’d,
He fell in love with the fantastick Shade;
And o’er the fair Resemblance hung unmov’d,
Nor knew, fond Youth! it was himself he lov’d.
The well-turn’d Neck and Shoulders he descries,
The spacious Forehead, and the sparkling Eyes;
The hands that Bacchus might not scorn to show,
And Hair that round Apollo’s Head might flow;
With all the PurpleYouthfulness of Face,
That gently blushes in the watry Glass,
By his own Flames consum’d the Lover lyes,
And gives himself the Wound by which he dies."

Metamorphoses, Pp. 98–101

Thursday, 7 March 2013


The Gospel from Outer Space

"It was about a visitor from outer space, shaped very much like a Tralfamadorian, by the way. The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low.
But the Gospels actually taught this:
Before you kill somebody, make absolutely sure he isn't well connected. So it goes.
The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn't look like much, was actually the Son of the Most Powerful Being in the Universe. Readers undrstood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again:
Oh, boy- they sure picked the wrong guy to lynch that time!
And that thought had a brother: 'There are right people to lynch.' Who? People not well connected. So it goes."

- Slaughterhouse 5

Wednesday, 6 February 2013

Sunday, 3 February 2013

Your Lifestyle Has Already Been Designed

An article by David Cain

Well I’m in the working world again. I’ve found myself a well-paying gig in the engineering industry, and life finally feels like it’s returning to normal after my nine months of traveling.

Because I had been living quite a different lifestyle while I was away, this sudden transition to 9-to-5 existence has exposed something about it that I overlooked before.

Since the moment I was offered the job, I’ve been markedly more careless with my money. Not stupid, just a little quick to pull out my wallet. As a small example, I’m buying expensive coffees again, even though they aren’t nearly as good as New Zealand’s exceptional flat whites, and I don’t get to savor the experience of drinking them on a sunny café patio. When I was away these purchases were less off-handed, and I enjoyed them more.

I’m not talking about big, extravagant purchases. I’m talking about small-scale, casual, promiscuous spending on stuff that doesn’t really add a whole lot to my life. And I won’t actually get paid for another two weeks.

In hindsight I think I’ve always done this when I’ve been well-employed — spending happily during the “flush times.” Having spent nine months living a no-income backpacking lifestyle, I can’t help but be a little more aware of this phenomenon as it happens.

I suppose I do it because I feel I’ve regained a certain stature, now that I am again an amply-paid professional, which seems to entitle me to a certain level of wastefulness. There is a curious feeling of power you get when you drop a couple of twenties without a trace of critical thinking. It feels good to exercise that power of the dollar when you know it will “grow back” pretty quickly anyway.

What I’m doing isn’t unusual at all. Everyone else seems to do this. In fact, I think I’ve only returned to the normal consumer mentality after having spent some time away from it.

One of the most surprising discoveries I made during my trip was that I spent much less per month traveling foreign counties (including countries more expensive than Canada) than I did as a regular working joe back home. I had much more free time, I was visiting some of the most beautiful places in the world, I was meeting new people left and right, I was calm and peaceful and otherwise having an unforgettable time, and somehow it cost me much less than my humble 9-5 lifestyle here in one of Canada’s least expensive cities.

It seems I got much more for my dollar when I was traveling. Why?

Here in the West, a lifestyle of unnecessary spending has been deliberately cultivated and nurtured in the public by big business. Companies in all kinds of industries have a huge stake in the public’s penchant to be careless with their money. They will seek to encourage the public’s habit of casual or non-essential spending whenever they can.

In the documentary The Corporation, a marketing psychologist discussed one of the methods she used to increase sales. Her staff carried out a study on what effect the nagging of children had on their parents’ likelihood of buying a toy for them. They found out that 20% to 40% of the purchases of their toys would not have occurred if the child didn’t nag its parents. One in four visits to theme parks would not have taken place. They used these studies to market their products directly to children, encouraging them to nag their parents to buy.

This marketing campaign alone represents many millions of dollars that were spent because of demand that was completely manufactured.

“You can manipulate consumers into wanting, and therefore buying, your products. It’s a game.” ~ Lucy Hughes, co-creator of “The Nag Factor”

This is only one small example of something that has been going on for a very long time. Big companies didn’t make their millions by earnestly promoting the virtues of their products, they made it by creating a culture of hundreds of millions of people that buy way more than they need and try to chase away dissatisfaction with money.

We buy stuff to cheer ourselves up, to keep up with the Joneses, to fulfill our childhood vision of what our adulthood would be like, to broadcast our status to the world, and for a lot of other psychological reasons that have very little to do with how useful the product really is. How much stuff is in your basement or garage that you haven’t used in the past year?
The real reason for the forty-hour workweek

The ultimate tool for corporations to sustain a culture of this sort is to develop the 40-hour workweek as the normal lifestyle. Under these working conditions people have to build a life in the evenings and on weekends. This arrangement makes us naturally more inclined to spend heavily on entertainment and conveniences because our free time is so scarce.

I’ve only been back at work for a few days, but already I’m noticing that the more wholesome activities are quickly dropping out of my life: walking, exercising, reading, meditating, and extra writing.

The one conspicuous similarity between these activities is that they cost little or no money, but they take time.

Suddenly I have a lot more money and a lot less time, which means I have a lot more in common with the typical working North American than I did a few months ago. While I was abroad I wouldn’t have thought twice about spending the day wandering through a national park or reading my book on the beach for a few hours. Now that kind of stuff feels like it’s out of the question. Doing either one would take most of one of my precious weekend days!

The last thing I want to do when I get home from work is exercise. It’s also the last thing I want to do after dinner or before bed or as soon as I wake, and that’s really all the time I have on a weekday.

This seems like a problem with a simple answer: work less so I’d have more free time. I’ve already proven to myself that I can live a fulfilling lifestyle with less than I make right now. Unfortunately, this is close to impossible in my industry, and most others. You work 40-plus hours or you work zero. My clients and contractors are all firmly entrenched in the standard-workday culture, so it isn’t practical to ask them not to ask anything of me after 1 p.m., even if I could convince my employer not to.

The eight-hour workday developed during the industrial revolution in Britain in the 19th century, as a respite for factory workers who were being exploited with 14- or 16-hour workdays.

As technologies and methods advanced, workers in all industries became able to produce much more value in a shorter amount of time. You’d think this would lead to shorter workdays.

But the 8-hour workday is too profitable for big business, not because of the amount of work people get done in eight hours (the average office worker gets less than three hours of actual work done in 8 hours) but because it makes for such a purchase-happy public. Keeping free time scarce means people pay a lot more for convenience, gratification, and any other relief they can buy. It keeps them watching television, and its commercials. It keeps them unambitious outside of work.

We’ve been led into a culture that has been engineered to leave us tired, hungry for indulgence, willing to pay a lot for convenience and entertainment, and most importantly, vaguely dissatisfied with our lives so that we continue wanting things we don’t have. We buy so much because it always seems like something is still missing.

Western economies, particularly that of the United States, have been built in a very calculated manner on gratification, addiction, and unnecessary spending. We spend to cheer ourselves up, to reward ourselves, to celebrate, to fix problems, to elevate our status, and to alleviate boredom.

Can you imagine what would happen if all of America stopped buying so much unnecessary fluff that doesn’t add a lot of lasting value to our lives?

The economy would collapse and never recover.

All of America’s well-publicized problems, including obesity, depression, pollution and corruption are what it costs to create and sustain a trillion-dollar economy. For the economy to be “healthy,” America has to remain unhealthy. Healthy, happy people don’t feel like they need much they don’t already have, and that means they don’t buy a lot of junk, don’t need to be entertained as much, and they don’t end up watching a lot of commercials.

The culture of the eight-hour workday is big business’ most powerful tool for keeping people in this same dissatisfied state where the answer to every problem is to buy something.

You may have heard of Parkinson’s Law. It is often used in reference to time usage: the more time you’ve been given to do something, the more time it will take you to do it. It’s amazing how much you can get done in twenty minutes if twenty minutes is all you have. But if you have all afternoon, it would probably take way longer.

Most of us treat our money this way. The more we make, the more we spend. It’s not that we suddenly need to buy more just because we make more, only that we can, so we do. In fact, it’s quite difficult for us to avoid increasing our standard of living (or at least our rate of spending) every time we get a raise.

I don’t think it’s necessary to shun the whole ugly system and go live in the woods, pretending to be a deaf-mute, as Holden Caulfield often fantasized. But we could certainly do well to understand what big commerce really wants us to be. They’ve been working for decades to create millions of ideal consumers, and they have succeeded. Unless you’re a real anomaly, your lifestyle has already been designed.

The perfect customer is dissatisfied but hopeful, uninterested in serious personal development, highly habituated to the television, working full-time, earning a fair amount, indulging during their free time, and somehow just getting by.

Is this you?

Sunday, 25 November 2012

Monday, 19 November 2012

How To Be German In 25 Easy Steps by Venture Village

This post by Venture Village has been passed around my group of Erasmus friends, as it is hilarious and also extremely true. As an English student currently living in Germany, I have been through a lot of adjustments while getting used to the German (-Berlin) way of life. For example; don't eat food on the U-Bahn or you will get death glares from a carriage of angry Germans (but getting hammered on the S-Bahn is totally fine); absolutely all shops and useful places are shut on Sundays; most clubs demand Pfands so always add about a euro to whatever price your drink may be; don't even try to get into a club if you are in a group of more than three or, worst of all, speaking English in the queue; and lastly my main problem, having to eat the disgusting German food (pickled herring anyone?).

This post sums up most of the main (comedic) points of assimilation into German culture, and is an essential read to anyone moving to or spending time in Deutschland - good luck! >>>

1. Put on your house shoes



So, here we are then my little Ausländer. Your first day as an aspiring German. You’ll have woken up in your bed, probably because it’s gotten light outside and you don’t have curtains, because curtains are evil and suggest you have something to hide.

Now, you’ll need to carefully make up your half of the bed (you should be sleeping in a double bed made up of two single mattresses and two single duvets). What it lacks in nocturnal romance, it more than makes up for in practicality, the most prized of German possessions.

Now, careful! Don’t step off of the Bettvorleger yet, there is a very high chance that the floors will be ever so slightly colder than you expect! So cold you may go into some kind of morning shock. That’s why you need house shoes! They are requirements of Germanism.

I would like to be able to tell you why Germans are so in love with their house shoes, I’ve asked several but still have no definitive answer. Not because they’ve not told me, but because the answer is so incredibly unromantic, so sensible, practical and boring that my happy little barefoot brain has no idea where to store information of that nature and so just gives up committing it to memory.

2. Eat a long breakfast



Coming from England, I was very surprised to see how important the kitchen is to the German people. The English tend to treat it purely as a room of function, like the toilet, only with a fridge. You get in, do what you’ve got to do, get out.The living room is the heart of the home.

For the Germans, it’s a different story, they are happiest and spend the most time in their kitchens. It’s the most practical room in the house. You have a table, water, coffee, food, radio, serious, correct-posture-encouraging seating. They’ve correctly realised, if trouble does come calling, they’ll be best prepared for it by holing up in their kitchens.

German breakfasts are not meals, but elaborate feasts. If it’s a weekend, every square inch of the table will be smothered in an assortment of meats, cheeses, fruits, jams, spreads and other condiments. It’ll look like someone broke in and while hunting for valuables just tipped the contents of all the cupboards out onto the table.

The first time I experienced breakfast in a German WG it lasted so long that I drifted off into a sort of breakfast coma and they had to wake me with some eszet, which is a sort of chocolate strip you put on bread. I didn’t know you could legally combine chocolate and bread, it was quite a revelation. Now I just eat eszet with everything, and slowly I’ve learnt to eat more and also slower, during the long drawn out German breakfasts.

The worst gameshow I’ve ever seen was an English one called “Touch the truck”. It’s premise, if I can be so generous as to call it that, was that lots of people touch a truck and then we all wait, the last person to let go off the truck, wins the truck. It sometimes feels like German breakfasts work on a similar premise, only the truck is breakfast.



3. Planning, Preparation, Process



So far, so good. Look at you, you’re up early, you’ve got your radio on, no doubt some Depeche Mode is blasting out, you’re eating a slow and ponderous German breakfast, you’re acclimatising very well, young Ausländer.

Now you need to enter the headspace of the Germans. If you want to be one, you need to think like one, which is a big task and we’ll cover it in more detail in later steps. But for now, start accepting the three central tenets of Germanism. The three P’s. Planning, Preparation, Process.

Being a good German is about understanding the risks, insuring for what can be insured, preparing for what cannot. You are your own life’s project manager. Plan and prepare. Make spreadsheets, charts and lists. Think about what you’re doing each day and how you can make it more efficient.

Is it possible you arrange your shoe storage so that the most used items are nearer the top, reducing bending time? I don’t care if you’re 17, it’s taking you nearly a full minute to get your shoes on, buy a shoe horn! Optimise your processes!

Just because they call it spontaneity, doesn’t mean it can’t be scheduled. There’s a time and place for fun, and it’s to be pre-decided and marked in the calendar. All else is frivolous chaos. So sit down now and make a plan for the day, then the week, then the month. Then book your holidays until 2017. To make it easier, just go to the same place. How about Mallorca? All the other Germans go there, there must be something to it.


4. Get some insurances



Everyone knows it’s a jungle out there. Hence why we created the phrase. So, plucky Ausländer before you go out into the jungle and start swinging from its high branches, it’s wise you be sensibly insured. Germans, being imaginative people ran a little wild with the concept of sensibly insured.

Don’t be surprised if the Germans you meet all have personal insurance advisors. My girlfriend communicates with her insurance advisor more often than I do with my mother. If someone invented insurance insurance, an insurance against not having the right insurance, we’d all be treated to the sight of 80 million people dying of happiness.

5. Dress seriously


Plan made for the day? Insurances in place? Great. Good work! Now it’s time to change out of your Schlumperklamotten and head outside to face the day head on. You’re going to need to get appropriately dressed.

*WARNING! AUSLÄNDER! WARNING!* Outside is this thing called nature, nature is fickle and not to be trusted! It dances to its own illogical, changeable tune. Best dress on the safe side. You need – expensive outdoor clothing! After all, you’re going outdoors, it’s called outdoor clothing, therefore it must be necessary.

At all times, you should be dressed for a minimum of three seasons. Get some of those funky Jack Wolfskin shrousers, the trousers that zip off into shorts. If there is even the slightest possibility you may at some point leave a pavement, be sure you are wearing high-quality hiking boots. The Germans consider anything else an act of ankle suicide.

6. Speak German



Every nation has done things it should be embarrassed about. Dark acts in its history. The Germans are no exception. You know of what I talk – the German language. Deutsch is mostly an incomprehensible jumble of exceptions. A dungeon designed to trap foreigners and hold them hostage, repeatedly flogging them with impenetrable and largely useless grammatical devices, whose only merit is to very, very, explicitly state who has what and what is being done to whom, by whom.

The bad news is that for you to fully blend with the Germans, you’ll need to learn it. In principle, it’s not that hard. It works in two stages. Learning words and learning the grammar. Learning words is fun, most are even similar to English thanks to our shared ancestry, you’ll zip along making great progress and really enjoying wrapping your tongue around such delights as Schwangerschaftsverhütungsmittel, Weltschmerz and Zeitgeist.

Then, confident at all the little snippets you’ve already accumulated, you’ll start learning the grammar, the putty that builds your mutterings into real, coherent German sentences. This is where you’ll start to feel cheated. German grammar is impenetrable nonsense.

English, at least linguistically, has always been the biggest slut in the room. Giving and taking from other languages. Trying to make you like it. Keeping it simple. My pet theory is that the Germans, despite their committed efforts, were not as successful as the English in their world power plays and so the English language has always, historically, been forced like a bridge made of glue to ford whatever cultural divide lay between us and whoever we were conquering, sorry colonising this week, so we had to smooth down its rougher edges, which is a poetic way of saying, kick out all the hard bits.

It was forced to evolve in a way that German had not been. German retained the grammatical complexity of Old English.

Take genders as an example, present in Old English, still present in German, yet assigned utterly arbitrarily. Sure, there are some sort of vague guidelines about how words end or that almost everything to do with time is der. That’ll help you with maybe 30 per cent of nouns. That still leaves 70 per cent that you’ll have to learn by heart so you can decline correctly.

You’ll waste so much time memorising genders (PRO TIP: never learn a noun without its article, going back later and adding them in is very time consuming and inefficient). Yet, without knowing the gender of the noun, you can’t accurately decline the endings of the sentences, nouns and adjectives or adverbs. Which is utterly pointless anyway, and does next to nothing to increase comprehension but without it you’ll say very embarrassing things like einer grosser Wasser, instead of ein grosses wasser. I know, cringeworthy.

Of course there are far harder languages to learn than German, that’s not my point. English also has its stupidities, like a staunch commitment to being unphonetic. The difference is that English was kind enough to be easy in the beginning, it ramps up slowly and encouragingly. German just plonks you down in front of a steep mountain, says “viel spass” and walks off as you begin your slow ascent.

When I first started learning the language, which mostly consisted of me getting nowhere and just sitting around bitching about it, I was gently reminded by a friend that some of the smartest things ever written were written in this language. First you need only respect it, later you can learn to like it.

7. Get some more qualifications



When I first moved here I was given the advice that “while in England, it’s he who drinks the most and doesn’t vomit on his shoes, that gets the girl, here it’s he who knows the most about philosophy that gets the girl”. That’s an exaggeration.

But the Germans, on account of their excellent school system (at least in comparison to the English), and the extraordinarily long time they tend to study (now reducing as they’ve adopted the Bachelor/Masters system) are an intellectual bunch. As a result, they also tend to have a great number of qualifications.

Vanity always needs an audience, it’s no different with intellectual vanity. So the Germans needed to create situations in which they could gently remind other Germans how much more qualified they are than them. An outdated idea in English culture, where everything is on a first-name basis, I am Adam, he is John, it’s what in our heads that shows our qualifications and intelligence.

Here, it’s the letters before or after our full name, letters we use when addressing each other, for example Herr Dr or Frau Prof Dr.h.c Schmidt, none of this first name over-familiarity. Even the humble doorbell offers an opportunity for neighbour one-upmanship, where academic qualifications can be listed.

You can expect occasional smirks and reassuring pats on the shoulder, when you tell them you only have a BA in Theatre Studies, as if they’ve a new found respect for the fact you’ve managed to dress yourself properly.

8. Obey the red man



I think the often exaggerated stereotype that Germans love to follow the rules all comes down to one little illuminated red man. Guardian and God of the crossing pedestrian. To dare challenge his authority and step gingerly out into a completely empty road when he is still red, is to take great personal risk.

Not of getting run over, the road is completely empty after all. Bar being struck by an invisible car, you’re safe.

No, what you really risk is the scorn, the tutting and the shouts of “Halt!” from nearby Germans. Who will now consider you an irresponsible, possibly suicidal, social renegade.

Halt! Await the green Ampelmännchen. Consider it an elaborate exercise in self-control. You’ll need all that self-control not to freak out and start shooting the first time you visit the Ausländerbehörde and find out they don’t speak English.

9. Drink Apfelsaftschorle



Germans fear any beverage that doesn’t fizz. It brings them out in a cold sweat. It’s a great comedic joy to live in a country where you can watch tourists and foreigners buying “classic” water, thinking that since for millions of years now “classic” water, you know, the kind that fallen from the sky since the dawn of time, was still, uncarbonated water, it would be the same here, right?

Oh no. Millions of years of water history have been conveniently forgotten. “Classic” means carbonated, of course. You big silly. Learn to like it. If not, when visiting the homes of your new German friends, you’ll request tap water and they’ll look at you like you are some primitive savage they just found in the woods covered in a blanket of your own hair.

Related to this is Apfelsaftschorle. You know in movies when people go to therapy and then the therapist asks them to create a happy place. A safe, tranquil spot they can turn to when the world gets too big and scary. Usually it’s a beach, or a rocking chair on the front porch of an idyllic childhood home?

For Germans, that happy place is swimming naked in a lake of Apfelsaftschorle. Tired after a long day of stamping and form filling, confronted with a 15-page long restaurant menu, baffled by the burdens of choice, they always retreat to their happy place and order Apfelsaftschorle. It’s steady, reliable.

For more than a century Germans, smug with their discovery of fizzy water, all their abundant breweries producing fine beers and ales, they didn’t believe it could get any better. Then some bright spark tried adding a little apple juice to that fizzy water. Creating something equally refreshing, but 6 per cent more fun! It was a near riot.

People were not ready. It was almost too fun. An all-night discoparty for the tastebuds. Of course, it won’t taste like that to you, with your funny foreign pallet. Apfelsaftschorle will taste to you as it really is, a fractional improvement on water’s boring taste.

10. Eat German food

It’s hard to discuss German cuisine without mentioning Wurst, at which point you’ll feel like I’m smacking you about the head with the stereotype stick. So I won’t. Wurst is important, but I think more for what it represents than how it tastes. Wurst is terribly boring. For a country to have elevated it so highly, shows a startling lack of imagination. Which, once you’ve experienced even more of the German cuisine, you’ll have no problem in accepting.

Here, meat is the linchpin of every meal. Being a vegetarian here is probably about as much fun as being blind at the zoo. The other notable time of year is Spargel Saison, where the country goes gaga as the almightly Spargel is being waved around everywhere, like a sort of culinary magic wand, which coincidentally it does rather resemble.

In conclusion, German cuisine is to the world of food, what the band Eiffel 65 are to the history of popular music: present, but largely a footnote.
You are probably wondering how I wrote an entire entry about German food without mentioning that lumpy S word – Sauerkraut. Fear not, I’m giving it an entire entry of its own…

11. Eat Sauerkraut


Sauerkraut lost its importance to the rest of the world once we were no longer at threat from scurvy. Germans absolutely hate the stereotype that they're a nation of obsessive sauerkraut eaters. Really hate it. Many have stopped eating Sauerkraut entirely in an act of nationalistic principle, or maybe they just don't like sauerkraut (who could blame them) and this offers a more profound excuse for its avoidance. But someone must love it, or sauerkraut is playing a large and elaborate practical joke on the German people because if you order a German meal, in a German restaurant, there is an 87% chance it will come with sauerkraut. It's there. It's always there. It's like a pact was made somewhere at a secret meeting no German was invited to, a referendum of one and now sauerkraut is the official, national side dish. If there's no smoke without fire, and there's no German Hauptgericht without Sauerkraut, the stereotype has to be accurate. If you don't like it my dear Krauts, change that default side dish. May I suggest Baked Beans? It's a custom of my people and I must say, I find them to be delicious.

12. Look for a job

Good news Ausländer, the German economy is rocking. Employment is very possible. Even in the East, where formerly abandoned cities like Leipzig have redeveloped themselves into logistics hubs. So armed with all those new qualifications and letters before your name, you'll have no problems finding work. But not all work is equally prized. There is an unspoken scale of careers, known, but not acknowledged by all Germans. Real jobs and not real jobs. For a profession to count in Germany, it should have existed for at least a hundred years, be vaguely scientific or at least dense enough that it requires half a life time of study and the opportunity to acquire 67 different academic qualifications. It should be impenetrable to outsiders, shielded in its own complex language. Ideally, it should also start with an e and in ngineering. But other accepted professions are scientist, lawyer, doctor, teacher, something that involves organising things on a large scale, like logistics, or anything to do with cars. Otherwise when people ask you your job, the same will happen to you as happens to me, I reply "I'm a marketer", at which point someone says, "that's not really a job though, is it?"

13. Learn how to open a beer bottle with anything but a bottle opener

The bottle opener has existed in various formats since about 1738. The only logical reason why Germans can open bottles with just about anything, except bottle openers, must be that bottle openers didn't arrive here until 2011. Since then they've been viewed with suspicion and anyone caught using one declared a witch and burnt at the stake. I remember there was a website that every day, listed a new way to open a beer bottle, over 365 days. Some said they'd run out of ideas by the end, when they suggested opening it on the edge of a Turtles shell. Germans didn't read the blog, they knew all these ways already. Turtles shell? Easy, come on. Try and think of something a little more imaginative. Don’t you dare suggest a bottle opener. So Ausländer, you need to learn at least 10 ways. Two of which must be with a lighter and a spoon. Turtle shell method optional but not discouraged.

14. Say what you mean

English is not about what you say, but how you say it. German is both, but more the former. Since what Germans say tends to be direct and prepared with minimal ambiguity. Ruthlessly efficient, if you will. In English, for example, if you want something to do something for you, you do not merely go up to that person and ask them to do something for you. Oh no. That would be a large faux pas of the social variety. Instead you must first enquire about their health, their families health, their children’s health, the weather, the activities of the previous weekend, the plans of the upcoming weekend, the joy or ecstasy related to the outcome of the most recent televised football match, then, finally, you can say "by the way", after which you begin the actual point of the conversation, before reinforcing that you feel guilty for having to ask, and only if it's no trouble, but would they be so kind as to possibly do this little thing for you. You will be eternally grateful.

Germans do not dance around the point in such elaborate, transparent displays of faux-friendship, they just say "I need this, do it, by this date. Alles klar”? Then walk off. Once you've practiced regularly getting to the point, you may find the way to be short but very enjoyable.
As for saying what you mean, Germans have rightly realised that sugar coating is best reserved for cakes. If I'm having one of my momentary delusions of grandeur I know I can rely on my German girlfriend to bring me swiftly back down to reality by saying something like "get over yourself, we're all born naked and shit in the toilet".

15. Feel mixed about Berlin


The average German has a complex relationship to its Hauptstadt. Berlin is the black sheep of the German family. Creative, unpunctual, prone to spontaneous displays of techno, unable to pay its taxes, over familiar with foreigners. To many Germans, Berlin is not really their capital, it's more like a giant art project or social experiment that only turns up when hungover, and in need of a hand out. To them, the true capital is probably somewhere more like Frankfurt. You know where you are with Frankfurt.

16. Hate Bavaria

Every pantomime needs its villain. For Germany, the wicked witch is Bavaria. Firstly it had the misfortune to be based right down there in the corner, far enough away that we can all say mean things about it and it won't hear, not central enough that it can claim real geographic importance. It then had the audacity to become the richest state, but not quietly and with humility, but in a gregarious, badly dressed, heavy drinking, God greeting, bumpkin sort of way. It's also a source of wider German mirth since while only one part of this huge country, it's responsible for 91% of all wider held German stereotypes and 100% of the annoying, inaccurate ones.

17. Speak freely about Sex

It is a great joy to live in a society that deals with sex so frankly and without fuss. As if, oh I don't know, it was a completely normal part of life. An act so common there is even compelling evidence our lame parents engaged in it. Germans understand this. Sex, while perhaps dealt with a little clinically at times, is not a big deal and must not be treated as such. It's like walking the dog or taking out the trash. Nudity is extended the same perfunctory familiarity. Particularly around lakes in the East of the country, with their history of FKK. When I questioned one of my colleagues on the need for such overt nakedness when an East Germans spots any body of water larger than a puddle, this was the reply "if you've never swum naked with 5 of your best male friends, you haven't lived!"

18. Love your car

It's very time consuming for German men to have to keep pulling their penises out for comparison against the other men they meet. It also tends to be rather distracting for other people present. So they've evolved other ways to rank themselves, the favourite being cars. When my girlfriend told her father she had a new English boyfriend, his first question, before my name, job, interests, age etc "what kind of car does he drive?" Germans are serious about their cars. They're also pretty good at making them. Possibly those two are also related, but since I can't think of any jokes in the linking of them, I'll conveniently ignore that and just move on.

19. Do nothing on Sundays
Picture the scene - an abandoned hospital. Someone wakes up in bed, in a locked room. They don't remember how they got there. They are groggy. It's quiet. Eerily quiet. They get up, and leave the room, stepping gingerly out into the hall. There are no humans around. It feels like the end of the world. They venture outside to try and find signs of humanity. There is nothing. They start to wonder if they are the only people left on earth. Maybe it was a killer virus. It's quiet, too quiet. Sound familiar? Yes, this is the start of most zombie movies. It’s also a description of the average Sunday in Germany. At least in catholic or rural areas. A day in which washing your car is considered an act of vigilantism against the sacred Sonntagsruhe. There is of course one exception though. One Sunday activity that is compulsory:

20. Watch Tatort

In my first WG we had a TV attached to a skateboard that lived in a cupboard. It was only wheeled out once a week, for Tatort. Friends of my room-mates would come by, the TV would be setup in the kitchen, elaborate meals would be cooked and shared, then silence would descend and Tatort would begin. If you dare to ask a German "is Tatort actually good?" the response is usually very amusing. You would think since they watch it with such rigid vigour, privately or as part of the public viewings in pubs, they must really love it? Yet, they usually don't say yes. They made a shocked face, as if that's a new question and they've not really thought about it before, like you asked them "do you believe in gravity?" then, usually, they'll conclude that whether Tatort is good or bad is utterly irrelevant. Every culture has its inherited customs. For the Germans, it's Sunday Tatort.

21. Eat German "bread"


Anyone who doubts how seriously Germans take their bread is either a fool, me, or both. Germans are serious about bread. This is reflected in their bread, which is serious. As opposed to that fluffy white English nonsense, which they see as an unforgivable waste of yeast. A child's finger painting masquerading as high art. It's true English bread is of the soft and cuddly persuasion. Sometimes I'm not sure whether to make a sandwich with it, or just sort of climb in and have a little nap. It's a bouncy castle for the taste buds. I can see how you wouldn't like that. Frivolous. In comparison when I see German bread, I have the urge to thump my chest and shout "Jawohl". It packs quite the visual punch. Important is the weight (ideally more than an average new born baby), the colour (rich and dark, like, em, um...swamp mud) and the texture (slightly damp concrete). If dropped, there is an expectation that it should shatter into a thousand pieces.

22. Always send friendly greetings


It's an accepted internet rule that you can say pretty much whatever you want, as long as you put :) at the end. LOL optional, but encouraged. This removes the option for the receiver (and joke's victim) to be allowed to be offended. After all, there was a smiley face, it was a joke. If you are offended, that's your fault, you should have a sense of humour. Germans have a similar rule for their communication, but they've substituted the smiley face for LG (lovely greetings/regards, crudely translated) or MFG (with friendly greetings), VG (many greetings) or the highly innovative, new, MVFLG (with many friendly lovely greetings), which I may or may not have just made up. You can be as mean as you want, as long as your message is gift wrapped in a parting LG or MFG. I'm not even going to question the logic of signing off with the greeting, an act traditionally saved for the beginning.

23. Say TSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSchüssssssssssss

With the exception of Oktoberfest, Germany is not famous for its excesses. It's actually rightly appreciated for its modesty and humility. Fine, fine traits. While us Brits where out living it up on bank sponsored credit, spending hundreds of thousands of pounds on these little boxes where we'd house ourselves, the Germans stayed in their rented homes, in their beloved kitchens, baking their pantry full of yet more delicious German bread. There is however, one area where they really like to let their collective hair down though, where they can get really wild and flamboyant, and that's when saying the word tssssssssssssssssssssssssssssssssssssssssssssssschhhhhhhhhhhhhhhhüsssssssssssssssssssss I'm not exactly sure how many letters long the word tttttttttttttttttttttssssssssssssssssssssssssccccccccccchhhhhhhhhhüssssssssss actually is, but I'm pretty sure you can't lay it in the game of scrabble. It should take approximately five seconds to say and be delivered not in your voice, but in one you've borrowed from a slightly better, more musical, pitch perfect, you.

24. Know the answer is to bring Kartoffelsalat


You are probably aware of the eminent Russian physiologist Ivan Pavlov and his work on the conditioning of dogs, who he trained to salivate on demand, just by his ringing a small bell. After finding dogs too easy and maliable to his whim, he set out to look for a tougher challenge, one that has until now, received less attention. Discarding the bell, and keen to work with people this time, he devised another ingenious experiment in conditioning only this time on the entire nation of Germany. You may not have heard about it, but if you've witnessed the effect. His goal was that when anyone said to a German "You're invited to a party" or "Let's have a BBQ" they would instinctively think "I'll make a Kartoffelsalat". Needless to say, if you've been to such an event and seen seven stacked tubs of Kartoffelsalat, you'll already know it was a perfect success.


25. Prost!!



I imagine prosting or cheersing (if we translate it crudely) used to be fun. You're in a group, you've the luxury of enough money to buy this drink, enough time to devote to the drinking of it, enough friends that want to socialise and drink with you. Prosting is really an act of happy comradery. A short, sweet, clinky, fuck you to the world and its petty problems. When I first arrived here, I prosted as I would in England, maybe we touched glasses, maybe we just lifted them ever so slightly more than we would need to reach our mouths, in a short gesture, before lowering it again and drinking. This isn't acceptable here. Here all holders of a beverage must compete in a sort of awkward drinking dance, in which everyone must make very, very obvious eye contact with every one else, in turn, and all glasses MUST touch all other glasses. Then, like in Ice Skating, judges, who've been watching from the periphery, hold up scorecards for all participants, showing how successfully they've taken part across a range of criteria such as "did they clink against every glass, in a logical, clockwise manner" and "duration and intensity of eye contact".